The Middle Ages Illustration History

The Middle Ages Illustration History The middle ages. illustration (detail) above: "crusader bible," 1240 a.d. the middle ages were a critically important period for western europe. the preceding “dark ages,” which lasted for hundreds of years after the fall of the western roman empire, had been a time of chaos and poverty without strong central government to maintain order. Illustrations of heroes and festivals, mythological tales and literature, funeral scenes and sporting events were drawn and incised onto ceremonial vessels. illustrative wall paintings and floor mosaics were created to decorate the homes of the wealthy and powerful. in the middle ages, narrative pictorials appeared in illuminated manuscripts.

The Middle Ages Illustration History Drawing and scientific illustration in the middle ages, as in later periods, drawings were used to illustrate scientific and scholarly works. the conventions of representation and systems of thought familiar to medieval audiences often confound the modern viewer; careful study of medieval diagrams underscores the concern of medieval thinkers. The decade of the 1950s is a bridge between pre and post war illustration and the new illustration styles of the 1960s. the decade 1960 1970 contemporary social and political issues dominate american culture and are reflected by the art of illustration as the post war generation comes of age. Medieval art – visual and literary arts of the middle ages. the medieval art period covers an immense range of time and place, as it incorporates over 1000 years of art history within europe. having said to begin with the fall of the roman empire and coming to a close by the early 14th century, medieval art was an incredibly influential. Drawings appear with surprising frequency in the middle ages, and were considered fitting for the embellishment of important and lavish books as well as for humbler tomes. the drawings were accomplished with a broad array of inventive techniques, as artists explored the possibilities of line, often playing it off painted and gilded elements.