Ascanio Mayone Examples For The Cimbalo Cromatico R Microtonal How to compose for a cimbalo cromatico fragments by ascanio mayone for a treatise about a 31 tone keyboard instrument called "la sambuca lincea" by fabio c. Ascanio mayone (c. 1565 – 1627)toccata quarta per il cimbalo cromatico (secondo libro di diversi capricci, napoli 1609)alessio silvestrin, clavichordinstrume.
Ascanio Mayone Toccata Quarta Per Il Cimbalo Cromatico 1609 Youtube A passage from mayone's toccata quinta 'per il cimbalo cromatico', in meantone temperament and equal temperament (12edo). 11.42 in his secondo libro di diversi capricci per sonare of 1609 ascanio mayone published two toccatas “per il cimbalo cromatico,” apparently the first such written specification. the toccata quarta calls for b , e , a , and d flats, plus f and c sharps, while the toccata q uinta requires f , c , g , d , a , e , and b sharps. Ascanio mayone (ca. 1565 – 1627) was a neapolitan composer and harpist. he tra… read full bio ↴ascanio mayone (ca. 1565 – 1627) was a neapolitan composer and harpist. he trained as a pupil of giovanni de macque in naples, and worked at santissima annunziata maggiore there as organist. Cimbalo cromatico, it is clear that music was specifically written for it but deliberately made playable on simpler instruments3. the examples written by asciano mayone (c1565 1627) for fabio colonna’s sambuca lincea happen to be some of the only surviving music written for a 31 tone instrument.
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